Cie
Sang-Gênes

The Sang-Gênes company was born in 2022 from the meeting of Margot and Mélodie, both trained at the Cours Florent in Paris in musical comedy and theater.​ Over the course of shared creations, an artistic and human bond was forged between them, giving rise to a common language and a deep desire to build a project that reflected their own personalities.

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Sang-Gênes thus became a multi-disciplinary research and creative space, rooted in both Seine-Saint-Denis and Avignon.

Through this structure, they hope to explore personal themes, break free from traditional frameworks, and reach out to a wide, varied and as inclusive an audience as possible.

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The artistic orientations of the company are nourished by the backgrounds of each of them:

Margot, involved in the medico-social field, in particular with disabled people, has the desire to create works that resonate with these experiences - whether in the themes tackled or in the sensitive and accessible forms proposed.

Mélodie, for her part, anchors her practice in the body: after a background in gymnastics, synchronized swimming and dance, followed by training in physical theater (Jacques Lecoq), she develops a theater of movement, where the body becomes a vehicle for emotions and stories, beyond words.

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At the heart of their creative process: music. Singing was their first encounter, and remains central to their work. Each project gives voice, rhythm and harmony an essential place as a stage language in its own right. The company is closely linked to Minuit 47, a structure headed by Benjamin Lasar, also a graduate of the Cours Florent. He composed the soundscape for their first creation, La Bouche du Diable, and directed the polyphonic vocals.